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Music from
PONIES Season 1 Soundtrack
2026-50 songs-55 views
Music from
PONIES Season 1 Soundtrack
2026-50 songs-55 views
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S1:EP1 TBA
S1:EP1 TBA
Opening exfiltration scene. Chris offers Sergei a one-minute escape window to Finland while Tom monitors the perimeter. The mission shifts into a high-speed vehicle pursuit through Moscow.
Domestic scene. Chris reassures Bea about her intelligence and their future before she discovers blood on his clothing, signaling the mission's physical toll.
Embassy Christmas party scene. Alan introduces Bea as staff, Ray confirms utility restoration, and Twila makes a loud entrance.
Social friction at the party. Bea recounts meeting Chris while Gretchen makes disparaging remarks regarding his past reputation and marriage.
Grieving return home. Needle drop montage featuring Bea returning to her childhood home and being greeted by Manya.
At a bar, Twila details her personal history in Indiana and the loss of her pregnancy. The conversation evolves into a mutual pact as both women resolve to return to Russia to find the truth regarding their husbands.
In a Moscow apartment, Ray and a technical team perform a bug sweep of the premises. Bea requests to keep a single photograph of Chris to remember his face, which Ray allows despite the potential for security trouble.
At a local market, Twila attempts to sell her husband's electronics to a vendor who identifies a hidden antenna and a loop for a tape. In a private apartment, the vendor plays the tape to reveal hidden Morse code, later leading to a conversation where Twila notices a lipstick mark signaling a covert meeting.
End credits
S1:EP2 Hanging on the Telephone
S1:EP2 Hanging on the Telephone
Sasha is inside a lab gathering evidence. As the background music fades out, a door slams and he immediately pretends to vomit to avoid suspicion from an arriving individual. He leans against the wall, using the ruse of illness to mask his presence and the evidence he has collected.
Bea is in her apartment and burns a note containing the "Winged Horse" phrase to destroy evidence of her husband's secrets . Parallel to this, Sasha walks through a men's locker room at the bathhouse to prepare for a dead drop.
Bea stands lookout outside the bathhouse while Twila retrieves a package from a hidden bin. Twila gives a subtle nod as she exits to confirm the trade is done, and both women depart quickly.
Twila stands on a street corner eating a KitKat to signal her contact. At a hotel, George talks with Sveta to mask his surveillance of the hallway.
In a needle drop montage, Sasha performs an unknown task at a factory. The scene transitions to George and Sveta having sex while surveillance workers monitor them from another room. Outside, workers load boxes into a truck.
Bea pours wine for Twila in an apartment while a record plays on a turntable. Bea enters a hallway closet to answer a ringing telephone and speaks with Andrei about scheduling a meeting for the next day. The scene transitions into a needle drop montage of the show's closing credits as the conversation concludes.
S1:EP3 Backstreets
S1:EP3 Backstreets
Twila instructs Bea on how to manipulate Andrei during their upcoming date. Twila advises Bea to use strategic flirting and specific phrasing to create mental imagery without immediately sleeping with him. Bea questions the strategy while Twila insists it will keep Andrei interested.
Ray and Twila approach Ivanna at an outdoor market to ask about the murdered women. Ivanna demands payment for information. Twila negotiates a deal by offering to buy her a drink. Ivanna directs them to another contact named Maria.
Dane tells Bea a story about his milkman father to illustrate that spies are replaceable. He challenges Bea to admit her true motivation for the mission involving Chris. Bea admits she seeks answers. Dane urges her to use that personal drive to plant the listening device.
Bea arrives at Pushkin Square to meet Andrei outside a cinema.
Ivanna waits; Twila arrives for the intel meeting.
Twila debriefs the failed mission; Bea reveals a stolen item; Twila identifies a murder victim.
Tom walks by a dead body. Emile puts the murder weapon in a burn bag.
S1:EP4 Don't Go Breaking My Heart
S1:EP4 Don't Go Breaking My Heart
Bea and Twila go for a jog at the park.
Eevi arrives at the embassy, claiming to be the new nanny from Helsinki, and is met by Ray.
In Bea's apartment, Twila suggests stealing Alan's Malevich painting to trade for a cyanide pill.
Bea creates a forgery of the Malevich painting. Twila notes that Alan was too busy with Lili to notice the original was missing.
Ray performs this song during the Embassy talent show
Ray and Eevi perform a duet at the talent show while the others dance.
End credits
S1:EP5 Turn the Beat Around
S1:EP5 Turn the Beat Around
Bea and her grandmother, Manya, discuss Bea's complicated double life and the loss of her husband, Chris, just before Twila arrives to coordinate Manya's undercover "Vera" mission.
Undercover as Nadiya, Bea accompanies the high-ranking KGB officer Andrei to an elite poker game, where she attempts to photograph intelligence and investigate a local conspiracy.
A tense family dinner between Ray, Cheryl, and their nanny, Eevi, is interrupted when Dane arrives to pull Ray away for an emergency rescue operation.
After Manya is taken by the KGB, Bea secretly alerts her team from Andrei’s car while Dane, Ray, and Twila race to the mansion where Manya is being interrogated.
Following a tearful goodbye to Manya at the train station, the clip juxtaposes Twila preparing a solitary dinner with Bea and Sasha meeting in a park while under surveillance.
Bea discovers a hidden film reel beneath Chris's pillow and watches the footage alone in her room before the episode concludes with the closing credits.
S1:EP6 Night Movies
S1:EP6 Night Movies
While preparing coffee in his apartment, the Soviet technician Sasha is startled by KGB officers aggressively pounding on his door and demanding he open up.
Sasha and Bea share an intimate dance in his living room as he encourages her to focus on the music to temporarily escape the pressures of their dangerous reality.
In a hotel room sting, Twila and her informant Ivanna work together to "scam" or compromise a Frenchman named Pierre by plucking him with vodka and music while he remains oblivious to their undercover motives.
The bond between Ivanna and Twila takes a deeply personal and intimate turn while they are undercover.
After the night's high-stakes events, Bea rushes to Twila’s room to deliver a major breakthrough in their investigation. End credits.
S1:EP7 Livin' Thing
S1:EP7 Livin' Thing
Hidden camera view from a hotel cart.
Twila drives a blue Lada through the streets of Moscow with reckless abandon, showcasing her "street-smart" fearlessness to a terrified Bea.
Dane sits in a traditional Moscow pub, drinking and observing the room.
Dr. Kohl meets an asset on a park bench and lethally injects him with a hidden syringe during a seemingly friendly interaction.
In a tense confrontation at the Elton John concert, Twila and Bea admit to "borrowing" a baby before being escorted backstage by their handler, Phil. Meanwhile, Cheryl discovers Eevi’s hidden recording device and shoots her, just as the embassy wives are formally introduced to the Soviet elite.
S1:EP8 The Stranger
S1:EP8 The Stranger
Ray is alerted by an operative to a shooting at his apartment during a public event and immediately flees the venue in a panic.
Bea and Twila wheel an unconscious Andrei through the embassy office to a secure location for later interrogation, while Twila retrieves boxes of red shampoo bottles used to hide smuggled surveillance data.
Bea and Twila realize the arriving Soviet firefighters are actually a KGB tactical team in disguise as Andrei roams free. End credits.
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