The Power of the Pony – 10 Movies That Inspired Ariana Grande Music Videos

From Eternal Sunshine of the Spotless Mind to Bring It On, here is a breakdown of ten films that inspired some of the pop star’s most iconic videos.

By William Acer Last updated

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Few pop stars have withstood the same onslaught of criticism as Ariana Grande. After all, how many singers have we watched fall from bad press, failed relationships, substance abuse, and even acts of violence or terrorism? Quite a few, unfortunately. Avicii, John Lennon, Aaron Carter, Amy Winehouse, Mac Miller, the Miami Showband, etc. The list is regrettably endless.

Which makes it all the more remarkable that Grande has survived not just one maelstrom but several — and they seem to keep coming! More than survived, however, the songstress has obviously found a way to thrive. With two Grammy wins and nine VMAs under her belt, as well as 14 songs that have surpassed a billion streams on Spotify alone, it appears as though literally nothing can take out the legs from beneath this pop diva. Her current era, which includes the rollout of her album Eternal Sunshine, sees the four-octave vocalist explore what she describes as a “concept album” where all the music videos are inspired by pre-existing art, movies, and film that have inspired the singer since before she first topped the charts in 2013 with “The Way” featuring Mac Miller. And with the release of Wicked: Part I just around the corner, it feels only fitting that the pop diva be given her due. So, let’s get into it! Here are the top ten movies that inspired Ariana Grande's music videos.

thank u, next

Bring It On

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Kirsten Dunst

Kirsten Dunst

Eliza Dushku

Eliza Dushku

Jesse Bradford

Jesse Bradford

Gabrielle Union

Gabrielle Union

Sherry Hursey

Sherry Hursey

Holmes Osborne

Holmes Osborne

Clare Kramer

Clare Kramer

Nicole Bilderback

Nicole Bilderback

Tsianina Joelson

Tsianina Joelson

Shamari DeVoe

Shamari DeVoe

Natina Reed

Brandi Williams

Directed by Peyton Reed

Directed by Peyton Reed

Like most of the movies on this list, Bring It On has become a cult classic since its release in 2000. Yeah, you read that right. Twenty-four years ago! Anyway, in the music video, Ariana Grande takes up the role of Kirsten Dunst’s Torrance Shipman as she giddily dances on her bed with some black and red pom poms, mirroring the scene in the film where Kirsten listens to the original song made for her by her crush, “Cliff” portrayed by Jesse Bradford. It’s a cute homage to the feeling of being in love with someone, or in Grande’s case, learning to love yourself.

Check out the full Bring It On soundtrack here.

Mean Girls

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Lindsay Lohan

Lindsay Lohan

Rachel McAdams

Rachel McAdams

Lizzy Caplan

Lizzy Caplan

Lacey Chabert

Lacey Chabert

Amanda Seyfried

Amanda Seyfried

Daniel Franzese

Daniel Franzese

Jonathan Bennett

Jonathan Bennett

Rajiv Surendra

Rajiv Surendra

Tina Fey

Tina Fey

Tim Meadows

Tim Meadows

Ana Gasteyer

Ana Gasteyer

Neil Flynn

Neil Flynn

Directed by Mark Waters

Directed by Mark Waters

Everyone wants to be Regina George — even Ariana Grande. Donning a blonde wig and the world-famous burn book, the songstress remembers her various exes while writing (basically) kind things about them on its pages. It’s a subversion of the prop, being converted from something nasty to something nice. What’s more, we see a page devoted to all of her ex-lovers in the song, with the exception of Mac Miller, a Pittsburgh rapper Grande dated from 2016 to 2018, who died in September of that same year. By omitting a page for Mac, it’s as if Grande is saying that talking about him is off-limits — or, at the very least – is not something she’s ready to do. The video is not all sad, though; quite the opposite, in fact, sprinkled with cameos by Troye Sivan, Jonathan Bennett, and Jennifer Coolidge. (Oh, she also got Kris Jenner to play Amy Poehler’s cool mom in the reenactment of the Jingle Bell Rock scene.) It’s a testament to her pull in Hollywood, for only a true power player could amass such a star-studded ensemble for such a fundamentally brief piece.

Check out the full Mean Girls soundtrack here.

13 Going on 30

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Jennifer Garner

Jennifer Garner

Mark Ruffalo

Mark Ruffalo

Judy Greer

Judy Greer

Andy Serkis

Andy Serkis

Kathy Baker

Kathy Baker

Phil Reeves

Phil Reeves

Sam Ball

Sam Ball

Marcia DeBonis

Marcia DeBonis

Christa B. Allen

Christa B. Allen

Sean Marquette

Sean Marquette

Kiersten Warren

Kiersten Warren

Joe Grifasi

Joe Grifasi

Directed by Gary Winick

Directed by Gary Winick

Here, we see Ariana Grande portray Jennifer Garner’s character, Jenna Rink, from 13 Going on 30. While singing about her parent’s divorce, Grande weeps softly over the miniature house from the iconic 2004 rom-com. The house represents many things, including a longing for the fantasy of one’s childhood, which Grande has spoken about extensively in recent interviews. But it’s also emblematic of Ariana’s approach toward the song. In the movie, Jenna is given the miniature house by Mark Ruffalo’s character, “Matty Flamhaff.” At this point, Garner’s character is not romantically into him — at all. By the end of the movie, she realizes she’s loved him all along. In brief, the house symbolizes the music video’s primary theme: to try and focus on the pleasant, happy memories of exes rather than the sour ones.

Check out the full 13 Going on 30 soundtrack here.

Legally Blonde

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Reese Witherspoon

Reese Witherspoon

Luke Wilson

Luke Wilson

Selma Blair

Selma Blair

Matthew Davis

Matthew Davis

Victor Garber

Victor Garber

Jennifer Coolidge

Jennifer Coolidge

Holland Taylor

Holland Taylor

Ali Larter

Ali Larter

Jessica Cauffiel

Jessica Cauffiel

Alanna Ubach

Alanna Ubach

Linda Cardellini

Linda Cardellini

Directed by Robert Luketic

Directed by Robert Luketic

If you’re not obsessed with Legally Blonde, there’s something wrong with you. Here, we watch Ari watch boys play football and then parade herself down Harvard’s college walk (or something similar to it) in an all-pink getup with her chihuahua, Bruiser. In case you’ve been living under a rock, Legally Blonde is all about women who defy their stereotypes. Just as Elle Woods is forced to prove that being blonde and loving pink doesn’t make her innately stupid, Grande has spent upwards of a decade combating the notion that she’s nothing more than a teeny-bopper with a long ponytail.

Check out the full Legally Blonde soundtrack here.

34+35

Austin Powers: International Man of Mystery

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Mike Myers

Mike Myers

Elizabeth Hurley

Elizabeth Hurley

Michael York

Michael York

Mimi Rogers

Mimi Rogers

Robert Wagner

Robert Wagner

Seth Green

Seth Green

Fabiana Udenio

Fabiana Udenio

Mindy Sterling

Mindy Sterling

Paul Dillon

Paul Dillon

Charles Napier

Charles Napier

Will Ferrell

Will Ferrell

Joann Richter

Directed by Jay Roach

Directed by Jay Roach

Grande dials things up in the extremely risquée number, “34+35.” Just do the math, and you’ll know what the song’s about. As such, it makes perfect sense that she called upon the Austin Powers franchise for the song’s music video. Inspired by the fembots of the first Austin Powers movie, International Man of Mystery, which are inspired by the mélange of women at a ski resort in James Bond’s On Her Majesty’s Secret Service, Grande pokes fun at the song’s salacious nature. By becoming a fembot herself, she’s attempting to reclaim control of the idea that these robots exist for male pleasure as opposed to female empowerment. There’s another interpretation, too, that Grande is resurrecting a version of herself from the Break Free era, a chapter of her professional life that was perhaps reminiscent of easier times.

Check out the full Austin Powers: International Man of Mystery soundtrack here.

we can’t be friends (wait for your love)

Eternal Sunshine of the Spotless Mind

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Jim Carrey

Jim Carrey

Kate Winslet

Kate Winslet

Kirsten Dunst

Kirsten Dunst

Mark Ruffalo

Mark Ruffalo

Elijah Wood

Elijah Wood

Tom Wilkinson

Tom Wilkinson

Jane Adams

Jane Adams

David Cross

David Cross

Deirdre O'Connell

Deirdre O'Connell

Thomas Jay Ryan

Thomas Jay Ryan

Ryan Whitney

Lola Daehler

Lola Daehler

Directed by Michel Gondry

Directed by Michael Gondry

Another adaptation of a Kirsten Dunst movie, Grande’s video for her lead single “we can’t be friends (wait for your love)” is so good it’s painful. We watch for about four minutes as the songstress does everything in her power to wipe away the memories of her ex-husband, luxury real estate agent Dalton Gomez. The two split in the summer of 2023, though rumors circulated that the two had separated as early as the winter of that same year. Her ex is portrayed by Evan Peters, an extremely gifted actor who starred in Pose and Dahmer. By the end of the video, Grande has seemingly erased Gomez from her mind — albeit painfully — as she’s seen happily walking arm-in-arm with another man. The song’s meaning is twofold, as Grande has expressed having a tumultuous relationship with the media. The lyrics mirror the end of a failed romance, but they also allude to the media’s determination to vilify her even when she’s on her best behavior.

Know that you made me / I don’t like how you paint me, yet I’m still here hanging, she sings. We can’t be friends / But I’d like to just pretend / You cling to your papers and pens / Wait until you like me again.

Check out the full Eternal Sunshine of the Spotless Mind soundtrack here.

the boy is mine

Catwoman

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Halle Berry

Halle Berry

Benjamin Bratt

Benjamin Bratt

Sharon Stone

Sharon Stone

Lambert Wilson

Lambert Wilson

Frances Conroy

Frances Conroy

Alex Borstein

Alex Borstein

Michael Massee

Michael Massee

Byron Mann

Byron Mann

Kim Smith

Kim Smith

Christopher Heyerdahl

Christopher Heyerdahl

Peter Wingfield

Peter Wingfield

Berend McKenzie

Directed by Pitof

Directed by Pitof

Inspired by Halle Berry’s Catwoman in 2004, Grande’s latest music video explores the mischievous exploits of the film’s titular character. Donning a cowl, a whip, and an all-black body suit, Ariana leaps about the rooftops of Gotham City as she belts about converting the city’s disinterested mayor into her lover. The song samples the original “The Boy is Mine” by Brandi and Monica from 1998. Grande released a remix of “the boy is mine” featuring herself and the duo, which, in many regards, is better than both their original track and Grande’s.

Check out the full Catwoman soundtrack here.

Beauty and the Beast

Beauty and the Beast

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Emma Watson

Emma Watson

Dan Stevens

Dan Stevens

Luke Evans

Luke Evans

Josh Gad

Josh Gad

Kevin Kline

Kevin Kline

Hattie Morahan

Hattie Morahan

Haydn Gwynne

Haydn Gwynne

Gerard Horan

Gerard Horan

Ray Fearon

Ray Fearon

Ewan McGregor

Ewan McGregor

Ian McKellen

Ian McKellen

Emma Thompson

Emma Thompson

Directed by Bill Condon

Directed by Bill Condon

Stepping away from her bad-girl persona, Grande collaborated with John Legend for Disney’s 2017 Beauty and the Beast remake. The duo complement each other spectacularly, mixing Grande’s bravado with Legend’s deliberate, soothing harmonies. By the time the track reaches its crescendo, it becomes clear why Disney recruited two of the most soulful singers in the industry to convey the song’s extremely sublet notes of R&B against its louder, symphonic melody.

Check out the full Beauty and the Beast soundtrack here.

thank u, next (live on Ellen)

The First Wives Club

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Goldie Hawn

Goldie Hawn

Bette Midler

Bette Midler

Diane Keaton

Diane Keaton

Maggie Smith

Maggie Smith

Sarah Jessica Parker

Sarah Jessica Parker

Dan Hedaya

Dan Hedaya

Stockard Channing

Stockard Channing

Victor Garber

Victor Garber

Stephen Collins

Stephen Collins

Elizabeth Berkley

Elizabeth Berkley

Marcia Gay Harden

Marcia Gay Harden

Bronson Pinchot

Bronson Pinchot

Directed by Hugh Wilson

Directed by Hugh Wilson

Upon the release of “thank u, next” in November 2018, Grande promoted the song with a live performance on Ellen. The stage was set to mirror the final song/dance number of yet another cult classic, The First Wives Club. Starring Diane Keaton, Better Midler, and Goldie Hawn, the film sees the three women usher in the end credits to “You Don’t Own Me” by Leslie Gore. Here, however, Grande swaps Gore’s track for her own, the lyrics of which reveal the singer's fantasy for her wedding. And though she almost falls during the performance, Grande’s fast recovery is not to be missed.

Check out the full The First Wives Club soundtrack here.

7 rings

The Sound of Music

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Julie Andrews

Julie Andrews

Christopher Plummer

Christopher Plummer

Eleanor Parker

Eleanor Parker

Richard Haydn

Richard Haydn

Peggy Wood

Peggy Wood

Charmian Carr

Charmian Carr

Heather Menzies

Heather Menzies

Nicholas Hammond

Nicholas Hammond

Duane Chase

Duane Chase

Angela Cartwright

Angela Cartwright

Debbie Turner

Debbie Turner

Kym Karath

Kym Karath

Directed by Robert Wise

Directed by Robert Wise

One of the most famous musicals of all time, Rogers and Hammerstein’s The Sound of Music, was famously sampled for Grande’s hit single — “7 rings.” In fact, when most people hear the song for the first time, they think it’s a cover of “My Favorite Things.” It’s not until the track drops into a rap that the listeners realize their expectations for raindrops, roses, and whiskers have been subverted with ATMs, diamond rings, and private jets. It’s cheeky, to be sure, but it also is a chance for Grande to relish in her success as an artist — as opposed to relishing in the aftermath of her failed relationship drama, the aftermath of the Manchester bombing, or the constant body and slut-shaming from critics.

Check out the full The Sound of Music soundtrack here.

If nothing else, it’s abundantly clear the impact Hollywood has had on one of the 21st Century’s most influential pop stars. But above all else, Grande has proven time and time again that she has the capacity to persevere against, well, almost anything. Her ability to prevail against the immense darkness of the world is mirrored by her music, her videos, and her inextinguishable light that makes it very hard, if not impossible, for her to stand down – especially in the face of evil.

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