(I'll Be With You In) Apple Blossom Time - Remastered

The Andrews Sisters

Ed defies Augusta over Adeline; on a date, Adeline dreams of crime photography (Weegee). Ed boasts about a skull-bowl and invites her home.

Pod Sielonyn Debem

All Time Polka Greats

Nazi-hall sequence featuring Ilse; rhetoric escalates, underscoring Gein’s morbid inspirations.

Changing Partners

Helen Forrest

After Mary’s shooting at the tavern, a waltz montage bridges the aftermath.

I'll Be Seeing You

Vera Lynn

Investigators and locals discuss Mary Hogan’s disappearance; witness mentions Ed’s truck. Cross-cut: Adeline quarrels with her mother.

Psycho Suite

Bernard Herrmann

At a Psycho screening, the shower scene plays; the audience screams, retches, and reels. Hitchcock gauges reactions.

The Murder

Bernard Herrmann

Continued crowd chaos and sobbing during the screening; Hitchcock/Alma react to the uproar.

What A Difference A Day Makes

Dinah Washington

Theater aftermath spills into the lobby, vomiting, fainting, even a labor scare, over a crooner montage that segues back to the drama.

The Skeleton In The Closet

Artie Shaw & his Gramercy Five

At Ed’s farmhouse door, the sheriff questions him about tavern owner Mary Hogan; Ed cites being home with his ailing mother as alibi before officers depart.

Just Like A Dream

Morrie Morrison Orchestra

Inside a café, Adeline reunites with Ed. She apologizes for leaving earlier, blaming his messy house and Mother’s rudeness; they cautiously reconcile.

Nabucco: Va pensiero

Nürnberg Symphony Orchestra, José Maria Perez & Hanspeter Gmür

In an Italian restaurant, Ed and Adeline share wine, joke about grape-stomping, and toast “to us,” signaling a tentative romantic escalation.

Daddy's Got Woo Woo In His Eyes

Tony Di Pardo

At Mrs. Heller’s home, Adeline vouches for Ed as a cheap babysitter; Miss Evelyn is recovering from polio, prompting Ed to offer himself for the job.

Rose Room

Eddy Howard

After Ed’s grotesque “magic show,” the children cry; he smugly declares that being “moved… even to tears” marks a successful performance.

Three Aspects of Fear: 3. Terror by Night

Hubert Clifford

At the Hellers’, Miss Evelyn calms the children as “The Shadow” plays on radio; ominous banging and tension build throughout the house.

The Murder

Bernard Herrmann

In a packed cinema, audiences shriek during Psycho’s shower scene, highlighting Hitchcock’s cultural resonance within Gein’s legend.

When I Die, Just Let Me Go To Texas

Ed Bruce

Over a country song, a montage bridges from on-set brutality to broader exploitation-horror fervor, reflecting post-Psycho shock-cinema trends.

Angela Mia

George Wright

At the roller rink, Ed Gein and Bernice Worden flirt while skating; Ed notices another woman watching. He fetches sodas; a sinister aside foreshadows objectifying violence.

Sweet Sue, Just You

Jackie Gleason

After intimacy at Bernice’s house, she urges Ed to move in. Ed admits feelings for another woman; Bernice insists he “get packing.” Music swells as commitment is declared.

Memory

Morrie Morrison Orchestra

In Bernice’s closed hardware store, she gifts Ed a box of brassieres and toasts “to us.” Ed abruptly ends the relationship, citing “venereal disease” rumors. Tension escalates.

Winter Wonderland

Tony Bennett

Cross-cut sequence: a family dinner tale about a “boogeyman” leads into a stylized, music-backed chainsaw montage, directly tying Ed Gein’s crimes to the future Texas Chainsaw mythology.

With My Eyes Wide Open I'm Dreaming

Patti Page

On a film set, Tobe Hooper outlines Leatherface’s three masks and personas; a period song plays while crew reacts, framing how Gein’s story shapes the movie’s grotesque icon.

In-A-Gadda-Da-Vida - 2006 Remaster Full-Length

Iron Butterfly

End credits

Big Bertha

Jack Millman & His Hollywood Jazz All Stars

Ed Gein and Adeline share a booth at a small-town diner

Tennessee Waltz

Patti Page

Adeline tells Ed she’s leaving for New York City for a Weegee job interview, urging him to follow; conversation references big-city work and magazines/figures shaping her ambitions.

The Glory of Love

The Five Keys

Ed at home narrates tastes (record, Chianti bottle candle) and prepares an “occasion”

Jazz And Roll

Al Tolano

In New York, Adeline meets crime photographer Weegee, pitches herself, shows photos; he harshly rejects her work, leaving her upset.

Just Like A Dream

Morrie Morrison Orchestra

Post-tryst, Ed admits he pictured someone else

Liepzig Polka

Erik Braun and his Orchestra

Adeline death stares through a gathering

Don't Forbid Me

Pat Boone

Frank Worden asks his mother Bernice to host Thanksgiving; they reconcile and start a grocery list as a 1950s pop song plays in their home kitchen.

Silly And Sappy

The Fi-Tones

In a small-town diner, Adeline Watkins reads quietly. A server and patrons whisper about Ed Gein; Adeline learns upsetting news and leaves tersely.

Strange Things Happening Every Day

Fern Jones

Adeline prepares to go out; reporters converge outside, calling her name as news about Gein spreads. She braces to address the press.

Cool Shake

The Del-Vikings

Sheriff Art Schley welcomes Frank to his family’s home for Thanksgiving; an electric carving knife gift is unveiled amid warm chatter and preparations.

Cuddle Up a Little Closer (with Paul Weston & His Orchestra)

Doris Day

The family says grace; the electric knife whirs as carving begins. Period music underscores Frank’s muted grief during a tense yet cordial Thanksgiving meal.

Endless Sleep

Jody Reynolds

Frank drinking in his car

Lacrimosa

Zbigniew Preisner

In prison, Ilse Koch is taunted; a nightmarish “golem” vision pursues her, highlighting the show’s pop-myth layering around Gein’s cultural echoes.

Nocturne No. 2 in C Minor

John Field

Ed initiates a ham-radio “conversation” with Christine Jorgensen

Goodbye Horses

Q Lazzarus

Ed fantasizes about a “lady suit”

Für Alina - Extended Version

Alexander Malter

Christine bluntly rejects equivalence with Ed

Spiegel im Spiegel

Tönu Kaljuste, Aarne Talvik, Evelin Saul, Kaia Urb, Mati Turi, Tiit Kogerman, Vilve Hepner & Estonian Philharmonic Chamber Choir

Doctor reveals Ed’s radio contact was imagined and diagnoses schizophrenia

The Well-Tempered Clavier I, Prelude & Fugue No. 1 in C Major, BWV 846: I. Prelude

Johann Sebastian Bach

FBI Agents John Douglas and Robert Ressler arrive at a state prison, escorted past heckling inmates to interview shoe-fetish killer Jerry Brudos.

Laboravi in gemitu meo

Thomas Weelkes

At Mendota Mental Health Institute, Ann, John, and Robert are introduced to Ed Gein and begin their interview.

Gimme Shelter

The Rolling Stones

In an Illinois prison, Richard Speck has a visitor

Für Alina - Extended Version

Alexander Malter

Speck’s letter to Ed is read aloud, boasting influence over a follower planning sorority killings, paralleling Bundy’s college-victim pattern.

Gottes Zeit ist die allerbeste Zeit, BWV 106

Johann Sebastian Bach

Gein hallucinates notorious killers, Manson, Kemper, Brudos, Speck

Sonatina for Piano 4 Hands: II. Andante

György Ligeti

Roz informs Ed he has advanced lung cancer; he reacts quietly as prognosis clarifies his decline.

Owner Of A Lonely Heart

Yes

In the ward, Ed watching MTV