Bodies Season 1 Soundtrack
Bodies Season 1 Soundtrack
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S1:EP1 ‘You're Dead Already’
S1:EP1 ‘You're Dead Already’
This is the opening theme.
A pile of newspapers bearing the headline "15 Firemen killed in air-raid over east London" dates back to 1941. Newspapers are distributed on the street by a girl who cuts the rope that ties them together. After taking one, Detective Whiteman heads to his office.
Detective Hasan hears a waiter murmur something before she exits the establishment. Barber tells her he needs a favor while he's waiting outside.
Detective Hasan comes back to the eatery. People dance and have a good time. Up the road, she spots someone observing her. The person vanishes when a bus passes.
Detective Hasan bakes cookies with her son. Syed calls her and asks to meet in a café so they can talk in public.
Hasan the detective is in a bar. "Know you are loved," is what she writes on a notepad as Syed's final words.
Detective Whiteman visits the morgue in 1940, and when he pulls down the sheet, the dead body from the car boot is visible. Detective Hasan is seen at her desk in the first split screen, followed by Detective Hillinghead in the third panel. Then, the year changes to 2053, and a young lady is seen driving down a small street. Maplewood exits the vehicle and looks over a structure. When she opens the door after breaking the padlock, she discovers the dead body lying in the backyard, nude. The man gasps for breath as she approaches it.
This song can be heard in the end credits.
S1:EP2 ‘Do You Know Who I Am?’
S1:EP2 ‘Do You Know Who I Am?’
This is the opening theme.
Whitehead enters a dark room and lights a cigar. When he gets inside, a man turns on the radio and then the lamp. The man is asked how a low-man convicted rapist like him manages to obtain fine cigars by the detective. He responds that he has high-ranking friends.
Detective Whiteman is in the pub, his arm around his secretary. He does not participate in the singing, but his colleagues sing in Farrell's honor.
The song can be heard on the end credits.
S1:EP3 ‘All In Good Time’
S1:EP3 ‘All In Good Time’
Polly is playing the piano while Hillinghead and his family attend Sunday mass in the church.
This is the opening theme.
Beside her son, who is fast asleep, lies Detective Hasan. When she enters her son's bedroom after hearing music playing and picks up the game console off the floor, she discovers Elias is hiding there.
The girl tells Whitehead that he looks more like an Eitan or Levi than a Charlie.
Ashe and Hillinghead make love.
As Hillinghead strolls down a Whitechapel street, it appears that everyone is staring at him in return. Detective Hasan outside the police station in 2023. She observes while Elias is driven off in a police van. The tunnel that Hasan walks in 2023 is the same one that Hillinghead walks in 1890. Hasan finds Hillinghead's name etched on the brick after Hillingead scratches something into it.
This song can be heard on the end credits.
S1:EP4 ‘Right Up the Wazoo’
S1:EP4 ‘Right Up the Wazoo’
This is the opening theme.
Entering an archive room, Hasan approaches Clive to ask for assistance. She wants to know how old the cases are and if they are, how long ago they occurred. The cases go straight up the wazoo, he responds.
Whitehead bolts upstairs upon hearing music emanating from his apartment. He abruptly switches off the radio while Esther is enjoying some music and advises her to keep quiet in case anyone finds them.
Defoe tells Maplewood in 2053 that he intended his PhD thesis to be groundbreaking and that it dared to suggest that time is flexible and changeable because cause and effect are malleable.
This song can be heard on the end credits.
S1:EP5 ‘We Are One Another's Ghosts’
S1:EP5 ‘We Are One Another's Ghosts’
This is the opening theme.
When Hillinghead gets home, he observes Polly playing the piano. Whitehead examines Polly in 1941. She informs him that he made her think of her late father Alfred, an inspector.
This is the end credits song.
S1:EP6 ‘The World Is Yours’
S1:EP6 ‘The World Is Yours’
This is the opening theme.
In the vault, Hasan gets a call from Harker. She is the only one who knows who has the trigger, he warns her, and the bomb is active. He tells her to go the A40 by herself.
As Hillinghead gets home, he observes his spouse laying the table. He requests that Polly put down her piano. Charlotte asks if it's about the journalist before going into detail about the circumstances. He responds that he has always wished to be the person she wants him to be when she asks him whether he has always liked males. He declares to Charlotte that he has always loved Polly and her.
To arrest Hillinghead for the murder of the guy discovered on Longharvest Lane, police officers show up at his residence.
Whitehead gets to the Harkers' residence. He shoots Polly in the head because she killed Esther while she is playing the piano.
Maplewood is pointing a gun at Defoe. He claims he can turn the past around for her. She gives him a poke in the eye as he steps through the time portal.
Hasan chases after Elias after he exits the vehicle, but he orders her to stop. The explosive in the vault detonates when he raises a phone and clicks the button.
This is the end credits song.
S1:EP7 ‘Catch Me If You Can’
S1:EP7 ‘Catch Me If You Can’
This is the opening theme.
Harker stands at the window, watching Polly's gates open. She then treats Harker and Lady Agatha to a piano performance.
Shortly after exiting the carriage, Polly plays Harker on the piano.
Polly grinned at the guests as she made her way down the aisle. At the altar, Harker waits for her.
A healthy son is born to Polly.
This is the end credits song.
S1:EP8 ‘Know You Are Loved’
S1:EP8 ‘Know You Are Loved’
This is the opening theme.
After being taken out of the prison cell, Hillinghead approaches Ladbroke and inquires as to why he is actually there; he remains silent. As Harker gets inside the jail wagon, Hillinghead informs him that he is well-known.
Polly plays this song in a sentimental, sluggish manner. She is shot in the head by Whiteman as he walks into the room.
Whiteman walks inside a bar. They don't appear to mind when he tells them to go. People flee in fear as he fires into the air.
Whiteman spots Hillinghead in the group photo. He waits for the police to enter the pub while lighting a cigar at the bar.
Young Hasan receives a call from Old Hasan alerting her to impending danger. She gives Elias and her younger self gentle instructions. Elias is tricked into not pressing the button by her playing a record, which stops the explosion from occurring.
In 1941, history is rewritten such that Elias does not detonate the bomb. When Whitehead and Esther cross paths, they exchange long, seemingly recognized looks. Hillinghead lets the mother of a small child ride in the jail wagon with him. As the screen divides into three parts, it reveals Hasan, Whitehead, and Hillinghead walking down the same street.
Asking the driver to take her to Spencer Street, Hasan gets into a cab.
This is the end credits song.
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