
End credits
Playing in the car when Greta and Charlie go back from the party; Greta's ringtone.
Fred is interrupted during his work in the basement by two crew members.
No songs available for this episode.
No songs available for this episode.
No songs available for this episode.
[plays again at 30 mark]
[plays again at 11 mark]
End credits
The upbeat dance track kicks in as guests arrive at the extravagant wedding, mingling and sampling the infamous "Ballzilla" cocktail. The energy and flashiness of the song perfectly match the MLM-fueled, over-the-top party vibe, setting a tone of superficial celebration before chaos erupts.
The music plays as Todd is roped into old high school memories by the groom’s crew, forced to perform a catchphrase. The light, nostalgic vibe contrasts with Todd’s discomfort and the underlying tension, as the assassin keeps up his charade.
The electronic dance track pulses during a frantic search for the missing groom and the bride’s growing panic. The party’s energy turns chaotic, with fireworks going off at the wrong time and guests on edge. The song’s intensity mirrors the unraveling celebration.
The high-energy dance song underscores Charlie and Alex’s decision to take action and investigate, launching their escape from the increasingly dangerous venue. The music’s drive matches their urgency and the shift from party to pursuit.
This track plays as Charlie and Alex try to process the chaos, regrouping and planning their next steps. The song’s steady beat reflects the momentum of their investigation and the need to keep moving.
Charlie drunk and getting more drinks at the bar.
This haunting spiritual plays over the closing montage: the Iguana prepares for his next move, the FBI closes in, and Beatrix Hasp is shown unaware of the storm coming. The song’s lyrics about death knocking at the door foreshadow the looming showdown and impending bloodbath.