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Music from
Wednesday Season 2 Soundtrack
2022-29 songs-435K views
Music from
Wednesday Season 2 Soundtrack
2022-29 songs-435K views
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S2:EP1 Here We Woe Again
S2:EP1 Here We Woe Again
The episode opens with a jarringly sweet version of "My Favorite Things" playing over Wednesday’s monologue while she’s tied up—adding twisted cheerfulness as she wriggles free from a killer.
The song plays as the Addams family gets ready to leave for Nevermore. The bittersweet ranchera colors Wednesday’s goodbye with her family and her mother’s wishes she’d spent more time with her daughter. The haunting, nostalgic vibe from Chavela’s voice underlines both the gothic warmth and the looming separations—making a scene about packing the car feel like a permanent, sorrowful farewell, even as they joke about “torment and humiliation.”
Playing on the radio at the picnic.
Heard during upbeat packs of students returning or mid-school hijinks, channeling youthful vibrancy in between dark revelations for comic relief
Played during Wednesday’s tense practice/face-off in music class; underlines her power and dramatic flair in gothic orchestration
As the pounding goth anthem plays, Wednesday and Enid frantically rush to retrieve Wednesday’s only novel manuscript from inside the Founder’s Pyre—just before it’s set alight. The song’s moody urgency perfectly matches the chaos and high stakes of the scene, underscoring Wednesday’s signature mix of dread and dark humor as she grapples with stalkers, secrets, and the literal threat of going up in flames.
A group number sung at the Founder's Pyre, blending gothic sarcasm and school pride, foreshadowing chaos to come
The Pyre ceremony erupts as Springsteen’s classic plays—its yearning energy contrasting the night’s suspense and impending disaster for Wednesday
S2:EP2 The Devil You Woe
S2:EP2 The Devil You Woe
Kicks in as Prank Day chaos erupts—Enid and friends unleash Sumatran Tiger Fleas while Wednesday gets pranked. The wild, loud riff celebrates Nevermore's misfits blowing off steam and amps up the irreverent spirit of the school tradition.
S2:EP3 Call of the Woe
S2:EP3 Call of the Woe
As the students head to Camp Outcast, this cult track plays. The scene blends gothic humor and supernatural vibes.
Classic powerful orchestral piece plays as the cadets and Outcasts prep for their color war challenge.
The campers sing this classic around the fire, foreshadowing chaos to come and the zombie threat lurking nearby
Gomez slips away for a rustic shower, the camera lingers on the threat quietly rising: the undead Slurp is creeping closer, chaos simmering just out of sight. The classic slow-burn romance of the song plays perfectly against the creepy (and funny) tension—love is literally in the air, even as zombies start to roam.
Contemporary cello cover plays as Wednesday faces defeat and tension with Morticia, amplifying the drama and mood.
S2:EP4 If These Woes Could Talk
S2:EP4 If These Woes Could Talk
Uncle Fester belts the power ballad in his hotel bathroom as cops try to arrest him—straight-up absurd and hilarious, parodying the melodrama of his plight.
During a quirky hospital check-in montage; retro swagger fits perfectly with Fester’s breezy criminal confidence.
Fester wanders the asylum under a dreamy, synthy haze—this 70s tune cranks up the surreal vibes while he tries to blend in and sniff out clues.
As Wednesday hides in the trunk to sneak into the asylum, "All By Myself" comes on the car radio, saturating the moment with irony. The classic lonely ballad blares awkwardly while the driver cluelessly grooves along, totally missing Wednesday stuffed in the back. It's the ultimate musical wink to Wednesday’s current situation—literally alone, smuggling herself into danger, with the world obliviously soundtracked by 70s melodrama. The song's dramatic longing cranks up the absurdity of the "spy-in-the-trunk" sequence, making her solo mission both tense and darkly funny.
Uncle Fester goes in for a dramatically passionate kiss, and suddenly "Scene d’Amour" from Vertigo swells in the background. The whole moment is played with straight-faced melodrama—Herrmann’s lush, emotional strings turn Fester’s goofy lip-lock into something that feels both absurdly epic and hilariously out of place. The music, famous for romantic longing and obsession, turns what should be a campy gag into an oddly touching and cinematic moment, poking fun at classic film romance while still amping up the emotional stakes.
S2:EP5 Hyde and Woe Seek
S2:EP5 Hyde and Woe Seek
At Pilgrim World's Day of the Dead event, Pugsley's zombie, Slurp, causes a chaotic rampage among panicking park patrons
S2:EP6 Woe Thyself
S2:EP6 Woe Thyself
S2:EP7 Woe Me the Money
S2:EP7 Woe Me the Money
Barry Dort and Arnold Hunt talk at Tiki Tails bar; Dort pitches his cult, Morning Song.
The Nevermore gala begins; Morticia Addams introduced, elegant music and crowd applause.
Wednesday urgently asks Bianca about her mother's location at the gala; Bianca tells her Dort's apartment.
Enid, Agnes, and others perform a dance routine at the gala
S2:EP8 This Means Woe
S2:EP8 This Means Woe
As her parents prepare to leave, Wednesday refuses to go home, and Uncle Fester arrives for a road trip
Wednesday and Fester drive off to rescue Enid. A musical montage begins as Wednesday's voiceover reflects on the year's chaos and unanswered questions.
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