Loading
Music from
And Just Like That… Season 3 Soundtrack
2021-63 songs-386K views
Music from
And Just Like That… Season 3 Soundtrack
2021-63 songs-386K views
Trending
Featured artists
S3:EP1 Outlook Good
S3:EP1 Outlook Good
Opens as Carrie settles at home—her new Gramercy townhouse—penning a postcard to Aidan. The song captures her lingering hope and longing in a situation where all she's left with is silent, symbolic connection—literally only him on her mind, even as their "relationship" is relegated to blank cards.
Playing at a lively ladies-only bar, this track underscores Miranda, Carrie, and Charlotte's efforts to support Miranda’s awkward re-entry into queer nightlife. The song's infectious energy is a cheeky contrast to Miranda's discomfort, highlighting the gap between what’s “hot” and how fumbly real-life dating can feel for her.
Playing in the background at the bar.
Playing in the background at the bar.
At the ballet dress rehearsal with Carrie, Anthony, Charlotte, Lily, and Giuseppe, the classical sweep of Beethoven mirrors the high drama: Carrie fields questions about her stagnant love life and the group’s stories intertwine, as ballet becomes a backdrop to life’s unresolved transitions.
Plays in the closing moments. Carrie, after a long day of missed connections (with Seema, Aidan, her own life), sits at her laptop to write, wondering “what she had gotten herself into.” The song’s dreamy, wistful vibe delivers a sense of gentle acceptance—of drifting alone, but still moving forward.
S3:EP2 Episode 2
S3:EP2 Episode 2
The episode opens with Carrie grabbing drinks with Lisette at a trendy bar. Lisette, who now lives in Carrie's old apartment, gifts her a necklace with the old address and rants about modern dating woes and dependency on social media. The upbeat yet moody vibe of "After Hours" matches the fun, slightly chaotic energy of a New York night out and sets the tone for Carrie reflecting on her past and present.
At the episode's end, Carrie and her new landscape architect Adam are in her backyard, uncertain about both the garden and what comes next in her life post-rat fiasco and post-Aidan confrontation. The playful, contemporary pop feel of "Friday" underscores Carrie’s openness to new possibilities. Both the scene and song suggest a vibe of starting fresh and embracing the unknown.
S3:EP3 Episode 3
S3:EP3 Episode 3
Playing in the backgorund of the bakery.
Playing in the backgrounda at the bar.
Playing in the backgrounda at the club.
S3:EP4 Apples to Apples
S3:EP4 Apples to Apples
End credits
S3:EP5 Episode 5
S3:EP5 Episode 5
Carrie struts through her apartment in a parade of heels, celebrating her style, even as her new neighbor becomes irritated with the noise. The song’s cheeky energy fits Carrie’s defiance and signature walk, echoing her confidence and playful stubbornness.
Playing in the background of the restaurant.
Playing in the apartment of Miranda's neighbor.
Carrie texting Samantha about Duncan.
Miranda arrives for the sleepover at Joy’s; nervous excitement and vulnerability are in the air. Musgraves’s dreamy song captures the hope and honesty of forging new bonds and facing feelings head-on.
End credits
S3:EP6 Episode 6
S3:EP6 Episode 6
Playing in the background while Carrie and Duncan are eating dinner.
Playing in the background of the bakery.
Carrie and Aidan try to fix the broken French door, struggling with the fragility of old glass and their relationship—Aidan obsessively searches for antique glass, Carrie asks him to come to bed. The whimsical, bittersweet tone of the song is a gentle counterpoint to their effort to restore what’s lost.
Playing in the background of the diner.
Playing in the background of the diner.
Lisa’s father’s funeral begins at the theater, with friends and family gathered in bittersweet memory, Lisa struggling to give her eulogy before Herbert steps in. The classic hymn’s appearance reinforces themes of loss, grace, and the complex beauty of saying goodbye.
End credits
Seema sits in her car, forced to return her luxury ride because of financial pinch, talking to Rocco and reflecting on her situation. The bittersweet early-morning goodbye in Diana Ross’s song echoes Seema’s mix of pride and loss—she’s letting go of status but keeps her dignity, just like the lyrics suggest. The car scene perfectly mirrors the song’s core—saying goodbye, but doing it with style and a little hope left.
S3:EP7 Episode 7
S3:EP7 Episode 7
Playing in the background of a salon.
Playing in the background of the restaurant.
This classic hits as Charlotte’s party hits full swing, with friends, karaoke, balloons, and charade-level fun. The Beatles inject an infectious, wild birthday energy, matching the chaos and well-intentioned celebration for Charlotte—even as secrets swirl.
Karaoke cover
Adam serenades Seema (sporting a Louis Vuitton eyepatch!) with this iconic karaoke, winking at her “one-eyed” look. The scene is flirty and awkward yet somehow sweet, showing their budding connection and the playful absurdity of the night.
End credits
S3:EP8 Episode 8
S3:EP8 Episode 8
Cover version playing in the background of a gallery.
Playing in the background of a gallery.
End credits
It was used for 18 seconds in the scene where Marion tells Lisa: "You know, I was thinking about you last night"
S3:EP9 Episode 9
S3:EP9 Episode 9
Seema arriving at the Pelican restaurant.
Playing in the background as Anthony is having dinner with Giuseppe's mother.
The track soundtracks Carrie's final breakup with Aidan on the street. Emotionally raw, both realize their relationship can't move forward. As Carrie quietly moves on, getting ready to meet her friends, the song perfectly underscores the bittersweet mix of heartbreak and liberation as she steps into a new era.
S3:EP10 Episode 10
S3:EP10 Episode 10
Playing in the background as workers are renovating Charlotte's apartment.
Playing in the background of the salon.
This track scores the turning point in Carrie and Duncan’s chemistry: after a publishing event, they return home, hesitantly part, then Carrie spins back, kisses him, and they finally hook up. The song’s warm, enveloping electronic feel matches the sense of vulnerability, new emotional openness, and the thrill Carrie feels stepping into post-Aidan possibilities.
Playing in the backgound of the bar.
S3:EP11 Episode 11
S3:EP11 Episode 11
Opens the episode as Carrie is ordering pies for Thanksgiving. The cozy, classic vibe fits the warm, bustling bakery scene and underscores the episode’s focus on tradition, belonging, and comfort with chosen family and memories during big holidays.
Charlotte helps Rock with a “Thoroughly Modern Millie” costume, zipping them up and chatting about makeup and wigs before dress rehearsal. The gentle, unfolding melody mirrors the parental care and the blooming individuality between the two. It's a warm, sweet moment.
Plays in the background as Charlotte gushes about seeing Rock in a full “Thoroughly Modern Millie” costume, chatting with Miranda and Carrie about how grown-up and pretty Rock looked—though Charlotte wonders if she's “allowed” to say that to her nonbinary child. The smooth, longing tone of “Paradise” fits this bittersweet, almost dreamy moment, as Charlotte feels both proud and uncertain about her kid’s evolving identity and the shifting meaning of family milestones.
During Rock’s high school musical “Thoroughly Modern Millie,” the cast belts out “Forget About the Boy.” The number kicks off after Charlotte and the gang take their seats to watch Rock perform. The upbeat, sassy anthem about leaving heartbreak behind underscores both Rock’s stage moment and the broader episode theme—Carrie (and others) grappling with how to move forward after disappointments in love. The song’s spirit of spunky independence matches Carrie’s wavering feelings about being single and living alone, as well as Rock’s onstage transformation.
Plays in the background of the restaurant.
Plays during a family dispute over Thanksgiving invites. The modern, slightly angsty sound mirrors the underlying tension as emotions bubble up, old wounds resurface, yet the love between characters remains present.
Plays in the background of the party.
End credits
S3:EP12 Episode 12
S3:EP12 Episode 12
Playing in the background. Miranda and Steve are at a Mexican restaurant. They discuss their son Brady and his girlfriend, and the fact that they are going to be grandparents.
Playing in the background. At Miranda's apartment, Carrie tries to manage the chaotic Thanksgiving dinner with Brady, Mia, and her friends while Miranda is away.
Playing in the background. Joy's dog, Sappho, is having emergency surgery after swallowing a sharp object.
Playing in the background. Carrie welcomes Mia and her friends into Miranda's apartment for Thanksgiving dinner. The friends make rude comments about the food and the other guests.
Playing in the background. Charlotte arrives at Miranda's with stuffing and is surprised to see Mark, whom she had set up with Carrie.
The episode's final montage begins with Anthony and Giuseppe's argument, which culminates in Giuseppe smashing a pie in Anthony's face before they lovingly reconcile. The subsequent scenes show the other characters finding resolution: Charlotte fully accepts her child Rock’s evolving identity; Lisa and Herbert have reconciled, with Herbert content to be out of the public eye; and Seema expresses her happiness with her non-marital relationship with Adam. In the final scene, Carrie is alone in her apartment, where she revises her book’s epilogue to state that she is not alone, but "on her own," embracing her single status.
ThemeSong
SimilarMusic
FROM THE SAME ARTISTS
Saturday Night Live
Love Island
Grey's Anatomy
Ted Lasso
The L Word: Generation Q
The Simpsons
The Resident
The Vampire Diaries
Beverly Hills, 90210
The Crown
Queen Sugar
Good Trouble
Life & Beth
Siesta Key
Brooklyn Nine-Nine
King of the Hill
TrendingThis week
Top Artists
Most searched movies
Most searched tv shows
WhatSong is the worlds largest collection of movie & tv show soundtracks and playlists.
© 2024 WhatSong Soundtracks. All rights reserved. v5.11.5