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EPiC: Elvis Presley in Concert Soundtrack
2026-52 songs-606 views
Music from
EPiC: Elvis Presley in Concert Soundtrack
2026-52 songs-606 views
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Elvis croons the classic ballad as the documentary opens with a montage of his legendary and iconic performance career.
Crowd roars in anticipation of the King's grand and dramatic stage entrance.
Elvis explains his physical reaction to Rhythm and Blues while the energetic track highlights his signature and rhythmic movements.
Archival audio features Elvis singing his breakout hit as he reflects on the simple "jiggle" of his early career.
Elvis's description of his rapid transition from television success to professional Hollywood movie stardom.
Elvis's early film roles and his developing movie star persona.
The rock classic plays while an Interviewer questions the potential negative impact of rock music on juvenile delinquency.
Elvis continues performing as a Man expresses deep moral concerns regarding the lustful "beat" of the modern music.
Debate over the "evil feeling" of music as Elvis admits to having an extremely bad temper.
Elvis mentions his military draft over the classic melody, comparing the sudden change in his life to a dream.
A high-energy montage features Elvis in various films as he discusses the theory that anything he did would sell.
The bossa nova rhythm plays as an Announcer introduces a "new Elvis" that audiences have never seen before.
Elvis continues the song as an Announcer credits Colonel Tom Parker for the enduring longevity of his superstar career.
Elvis explains his decision to return to live performances after his movie contracts ended.
Elvis explains the exhaustive process of selecting twenty songs from five hundred while the band rehearses the mid-tempo track.
Elvis and the Band joke about old songs performed "before World War Two" during a relaxed rehearsal session.
Elvis laughs while jamming on the Ray Charles classic, showcasing the loose and collaborative energy of the Vegas rehearsals.
Elvis briefly forgets the words to the 1956 ballad, highlighting the informal nature of the "small band" practice.
Elvis struggles to find his place in the song, noting it takes five minutes to "figure out where I am."
The Band explores a Western "Mexican flavor" as Elvis discusses his eclectic taste, ranging from Mario Lanza to Opera.
Elvis sings the Del Shannon hit while searching for the Director, maintaining a busy pace months before the show.
Elvis delivers a soulful rehearsal of the Beatles classic, reflecting on his childhood housing project and early talent shows.
Elvis calls the lyrics "very suggestive" while performing the George Harrison penned track with the full orchestra.
Elvis feeds off the Audience's energy, explaining that the crowd "brings the ham" out of him during the opening.
The high-octane performance continues as Elvis identifies his style as a mix of Country, Gospel, and Rhythm and Blues.
Elvis jokes about Ed Sullivan shooting him from the waist up before launching into his signature anthem.
Elvis requests lead sheets and prepares to "get dirty" with the Band on the funky Southern track.
Elvis and the Voices find inspiration in new sounds, emphasizing that they never let the show get old.
Elvis reflects on flunking music in school and his sudden popularity after his first talent show performance.
Elvis recalls his father's skepticism about guitar players while performing the sharp, rhythmic rock and roll track.
Elvis pays tribute to Bob Dylan with a soulful gospel-style rendition of the classic folk song.
Elvis and the Band work out a rehearsal arrangement, debating how to handle the fade-out on stage.
Elvis provides a gritty vocal performance of the blues track, emphasizing his affinity for "midnight chills."
Elvis explains his mutual professional connection with manager Colonel Tom Parker.
Elvis expresses a desire to travel to Europe and Japan, noting he's never been out of the country except for service.
With the Jordanaires, Elvis performs a classic "oldie but goodie," humorously noting a "funny-looking" light fixture above.
Elvis laughs at the "funny" echo on his old Sun label records while reflecting on his private life and values.
Elvis illustrates how the stage lighting is perfectly synced to the rhythm of this specific song's performance.
Elvis playfully changes the lyrics to "gaze at your bald head," keeping the mood light despite the song's melancholic theme.
Elvis discusses the difference between his public image and his human reality, expressing a deep desire for a family.
Elvis describes the technicality of singing in those "weird" headphones while delivering a high-energy gospel rehearsal.
Elvis introduces the 1966 gospel favorite, reflecting on how church music influenced him from age two.
Elvis explains the internal "intensity" of gospel music, noting it helps his mind "unwind" after a show.
Elvis calls out a piano solo during a rock performance, demonstrating his playful and commanding stage presence.
Elvis emphasizes the need for fresh energy for every "new audience" while delivering a powerful, emotional vocal.
The poignant social commentary plays as Elvis declines to share personal political views, preferring to remain "just an entertainer".
Elvis uses the Joe South song to call for empathy, singing about seeing through another's eyes instead of an ego.
The show reaches a fever pitch with the 1969 hit, featuring a long, building outro where Elvis interacts with the band.
Elvis discusses his acceptance of constant fan attention and adoration.
The concert concludes with the classic signature; Elvis remarks that he is "perfectly at home" on stage.
Bono delivers a poetic voiceover tribute regarding Elvis’s cultural legacy.
A modern remix of "Suspicious Minds" and "Don't Fly Away" serves as the final credit track, closing the documentary.
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