Fly As Me

Bruno Mars

The movie opens in a New Jersey bank with Travis on guard duty. He’s feeling himself — “Fly As Me” blares as he struts around, until a pretty customer (Zoe) hands him a note. Thinking it’s a robbery, he pulls a gun before realizing she just gave him her phone number. The funky Bruno Mars/Anderson .Paak groove nails the playful, over‑confident tone as Travis’s bungled flirtation sets up their rom‑com‑meets‑heist story.

Woop Baby

Letherette

After the bank misunderstanding, Travis and Zoe chat and laugh. A woozy beat, “Woop Baby,” plays softly in the background as they vibe. The laid‑back electronic groove mirrors the easy chemistry between them and keeps the mood light before the chaos to come.

Thinking with My Dick (feat. Juicy J)

Kevin Gates

Early the next morning Russell kisses his wife and heads to work on their anniversary. This raunchy hip‑hop track blasts from the radio. The mismatch between the vulgar lyrics and his domestic good‑guy image is part of the joke — it foreshadows Russell’s day going from routine to insanely chaotic.

Supernatural Thing, Pt. 1

Ben E. King

At Guardian headquarters, Russell learns he’s partnered with newbie Travis on a risky route. “Supernatural Thing” plays as the two meet — a soulful ‘70s groove underlines the odd-couple energy. Travis is over‑eager and star‑struck, while Russell just wants to finish his shift and celebrate his anniversary.

Lento

Lkhn

During their first armored‑car run, Russell and Travis argue about his wife’s name and call their boss while a Spanish‑language trap beat (“Lento”) thumps on the truck radio. The song’s laid‑back vibe contrasts with Russell’s growing irritation and underscores that the job is still routine…for now.

Lovin On Me

Jack Harlow

Travis “driving playlist.” He head-bobs, Russell fumes. Song sells Travis’ Gen-Z confidence right before he literally gasses himself with Monster.

Neutron Dance

The Pointer Sisters

Travis gushes that it’s an honor to work with Russell, who rolls his eyes. “Neutron Dance” bursts from the speakers — an energetic ’80s hit that lightens the moment. The cheeky lyric “I’m just burning doing the neutron dance” mirrors Travis’s over‑amped enthusiasm and foreshadows the explosive trouble ahead.

Fly

Sugar Ray

During the botched hijacking, Russell and Travis end up stuck in their truck, trying to flag down passing cars while complaining about why no one stops for “two white guys.” Sugar Ray’s breezy “Fly” underscores the absurdity, giving the tense situation a sun‑soaked, tongue‑in‑cheek feel.

Cool Out

Deo Favente

Playing in the background of the garage

Candy Girl

New Edition

After a frantic escape, the trio stops at a diner for food. New Edition’s bubble‑gum pop “Candy Girl” plays, giving a nostalgic break as Russell momentarily disarms Zoe. The sweet chorus contrasts with the underlying tension — Travis is smitten, Russell is scheming, and Zoe is in control.

Don't Stop Believing

Timon Massop

Playing in the background of the diner

Juicy Lucy

Brian Wade

Playing in the background of the diner

Welcome To Jamrock

Damian Marley

Back on the road, the reggae‑driven “Welcome to Jamrock” pulses as Russell, Travis and Zoe argue about trust and drive toward Atlantic City. The track’s gritty lyrics about rebellion and survival mirror Zoe’s mission against the casino, foreshadowing the violent betrayals to come.

Sea Legs

Run The Jewels

During the climactic warehouse shoot‑out, Travis and Russell fight Zoe’s treacherous partners Banner and Miguel. “Sea Legs,” a heavy Run the Jewels cut, snarls over the chaos. The pounding beat and aggressive verses amplify the blood‑spattered melee and highlight how far the bumbling guards have come from their routine morning.

Make It Hot (feat. Eryn Allen Kane) - from "The Pickup"

BJ The Chicago Kid

After the shoot‑out, Russell and Travis bond on the drive home. “Make It Hot,” an original R&B tune, plays as they realize they’re friends despite everything. The sultry groove underscores the emotional warmth and hints at a happy ending even though Zoe has escaped.

Feelin' Alright - from "The Pickup"

Paul Russell

End credits

Rock With You

Keke Palmer

End credits