Prologue

Jennifer Lopez

Opening credits sequence featuring ethereal singing ("Come and find me, hear my song") establishing the film's dreamlike musical atmosphere.

Her Name Is Aurora (Staff)

Tonatiuh

Narration introduces Aurora’s irresistible beauty as the fantasy musical “begins” inside Molina’s retelling.

I Will Dance Alone

Jennifer Lopez

In Aurora’s suite, Kendall helps choose a gala dress; Aurora sings “I Will Dance Alone,” projecting romantic idealism.

Her Name Is Aurora (Gala)

Jennifer Lopez

Aurora visits a fortune-teller; prophecy of a stranger precedes Armando’s entrance, establishing their attraction.

An Everyday Man

Diego Luna

Armando extols ordinary life in “An Everyday Man”; Valentin critiques musicals as reactionary, arguing they dull class consciousness.

She's a Woman

Tonatiuh

Fantasy number glamorizes the Spider Woman; Molina longs to be “her,” revealing identity yearning amid prison reality.

Where You Are

Jennifer Lopez

Escapist sequence: “Learn How Not to Be Where You Are” urges surviving prison through fantasy; cut back toward looming interrogation.

Dear One / Querido

Federico Salles

In the dim cell, Molina quietly apologizes to Valentín; a subdued musical refrain swells as he insists “I’m here,” seeking connection while Valentín remains guarded, silence stretching between bunks.

I Do Miracles

Jennifer Lopez

Aurora tenderly “does miracles,” kissing/soothing battered Armando; sensual caregiving within fantasy.

A Visit

Jennifer Lopez

Spider Woman tempts and foretells surrender; Aurora resists, fearing the fatal kiss.

Gimme Love

Jennifer Lopez

In the village, Armando sides with locals; Aurora pretends indifference to push him away; a pursuer spikes Armando’s drink.

Never You

Jennifer Lopez

Scarlet-hued dream club: Aurora performs “Give Me Love/Give Me Kiss,” weaponizing seduction to drive Armando off.

Kiss of the Spider Woman

Jennifer Lopez

Climactic “Sooner or Later”: the Spider Woman arrives; the web tightens; a kiss seals tragic fate.

Only in the Movies

Tonatiuh

Finale: “Only in the Movies” reframes escapism; closing comic beat (“Viva la revolución… whatever it is”) before curtain.