Bouquet of Roses

Eddy Arnold

Attila brings Lászlo to his furniture store. The Brutalist soundtrack song plays from the speaker system. Audrey admires her display work.

Rumba Azul

Nilla Pizzi

Audrey inquires about László’s nose. Music plays lightly in the background. László says, “I jumped from a railcar.”

Little White Lies

Dick Haymes

Attila talks to László about being Catholic. The Brutalist music plays from a speaker system. László reads a letter from Erzsébet.

William Tell Overture

Spike Jones & His City Slickers

Audrey stands outside her furniture store with Lászlo. The Brutalist soundtrack song continues during a transition sequence. László practices his English while shaving.

Buttons And Bows

Dinah Shore

László chats with Attila about needing $2,000 worth of materials. A transition sequence begins. László drinks alcohol while watching Attila dance with Audrey.

It's So Nice To Have A Man Around The House

Dinah Shore

Attila asks László to dance with his wife. Audrey says, “He doesn’t want to.” László reluctantly agrees to dance with his cousin’s wife.

To Each His Own

Eddy Howard

László speaks to Gordon about not wanting to be viewed as a beggar. The Brutalist soundtrack song continues during an exterior montage sequence. László spots a black vehicle.

So Tired

Russ Morgan and His Orchestra

László visits a diner with Harrison. The Brutalist music plays from the speaker system. Harrison expresses his appreciation for László’s architectural work.

Serenade No. 13 in G Major, K. 525, "Eine kleine Nachtmusik": I. Allegro

Wolfgang Amadeus Mozart

László meets with Harrison. An orchestral piece plays lightly during an interior scene. Harrison talks about “a vision.”

You are my destiny

Mina

László learns about a party. The Brutalist soundtrack song continues during a transition sequence. László dances with Harrison’s daughter, Maggie.

One for You, One for Me

La Bionda

Older Zsofia speaks in Venice in 1980 at a public event for László. She says, “No matter what the others try and sell you, it is the destination, not the journey.” The track scores the film’s final moments and end credits.