Stop That Girl!

Daniel Pemberton

The opening song/music starts playing as soon as the movie begins, as Enola races through a crowd, trailed by two police officers.

The Enola Holmes Detective Agency

Daniel Pemberton

Enola Holmes introduces herself and talks about the detective agency that she started after solving her first case.

Jerusalem

Hubert Parry

Enola mentions Lord Tewkesbury, referring to him as the champion of transformation and advancement.

To Shadwell

Daniel Pemberton

A young girl visits Enola's office seeking assistance in locating her sister.

Lyon's Match Factory

Daniel Pemberton

Enola takes the case and heads to the match factory.

Mysterious Follower

Daniel Pemberton

Upon reading the letter, Enola realizes she is being followed and eventually runs into Sherlock.

221b Baker Street

Daniel Pemberton

Enola helps her drunk brother get home.

The Game Has Found Its Feet (Again)

Daniel Pemberton

After revisiting the poem, Enola is able to decipher the riddle.

Chaperone Waltz

Daniel Pemberton

At the ball, Enola overhears the conversation of other ladies and later attempts to engage with the host, unaware that she is required to have a chaperone present.

Elektromagnetische Polka, Op. 110

Johann Strauss II

Enola ascends the staircase, observing the others from above. She admits that she is unable to dance.

Le Langage de la Danse

Daniel Pemberton

Sherlock discovers a ciphe while studying the board.

Galop and Ecossaises, D. 735 (Orch. Maderna): Ecossaises Nos 1-3, 5-6, 8 - Live

Franz Schubert

On the balcony, Mira Troy joins Enola. Enola introduces herself to Ms. Troy as Tabitha Timothy

Dancing Lessons

Daniel Pemberton

Enola asks Tewkesbury to teach her how to dance.

The Last Dance

Daniel Pemberton

The couples gather on the dance floor for the last waltz.

Quite A Party

Daniel Pemberton

The police arrive at the ball and take Enola into custody.

Deductions

Daniel Pemberton

Enola enters the prison court along with other women; Sherlock fears that she may face a hanging.

Symphony No. 3 in C Minor, Op. 78, R. 176 "Organ Symphony": III. Maestoso - Allegro

Camille Saint-Saëns

Following their flight from the police and the wreckage of their carriage, Enola, Edith, and Eudoria collide with other officers.

Hallelujah from Messiah, HWV 56, No. 44 - Live No. 2

George Frideric Handel

In the woods, Enola, Edith, and Eudoria engage in a fight with the police officers.

The Limehouse Puzzle (From "Enola Holmes" Soundtrack)

Daniel Pemberton

Enola examines the soil of the plants at Mae's house.

Tewkesbury's Trail (From "Enola Holmes" Soundtrack)

Daniel Pemberton

After discovering that Cycil is actually Sarah, Enola departs from Lord Tewkesbury's house. However, before leaving, she pauses outside and inquires about the secret message he had sent her during the ball.

Blackmail

Daniel Pemberton

Enola realizes that the music sheet is actually a map.

Enola And Tewkesbury

Daniel Pemberton

Enola and Tewkesbury kiss for the first time.

Stage Fight

Daniel Pemberton

At the theater, Enola escapes from the officers as Sherlock is being shot and Tewkesbury engages in a sword fight.

The Only Power We Have

Daniel Pemberton

Sarah delivers a speech at the match factory in an effort to convince her co-workers to refuse working for their unethical boss.

Enola Holmes (The Future Is Up To Us) (From "Enola Holmes" Soundtrack)

Daniel Pemberton

Tewkesbury walks with Enola and extends an invitation to her to attend a ball. The song plays during this scene.