
Movie kicks off messy: James blasted on dope, flailing around his trashed apartment while this 9‑minute alt‑rock freak‑out roars—then BOOM, he face‑plants out the window.
Title card rolls as James stumbles onto the rehab bus—this Zeppelin‑esque groove blasting in his headphones says, hey buddy, help is *always there* (even if your life’s on fire).
Common room TV blares classic country while patients complain about cafeteria food - Loretta’s sass mirrors the staff’s ‘no intoxicants allowed’ vibe.
Detox night one: room spinning, sweat everywhere—Hope Sandoval’s ghostly lullaby floats over the montage of hallucinations turning James’s ego *into dust*.
James watches Lilly across the courtyard - Otis’s slow‑burn soul sets the mood as stubborn attraction builds despite ‘no relationships’ rules.
Group therapy: Miles opens up about identity, the hushed Lou Reed confessional underscores the raw vulnerability in the circle.
Kitchen duty turns into an impromptu dance‑off; the whole ward skanks to this dancehall classic, proving rehab isn’t *all* misery.
After a breakthrough session, the rec room stereo spins this disco gem; patients glow like they *actually* believe in second chances.
James gets day‑pass permission and feels, briefly, unstoppable - Waits’s carnival‑croon ushers him into the world outside like a ragged victory march.
Final montage + credits: Ross siblings’ 17‑minute score suite melts through triumphs and relapses, mirroring James’s lifelong rollercoaster of *downs and an up*.
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